sometimes, music stumps me.
basing my output on my ability to put my own thoughts, feelings and opinions into words, being stumped leaves me feeling rather redundant.
and mostly I tend to feel this way towards music when I feel that my own words will lessen the true experience of just listening.
this is certainly the case in point with 'May Propre Fable, un Dimanche', a startlingly ethereal experimental soundscape that shifts and mutates from dreams to nightmares within a heartbeat, played out across sonic environments that at first seem unthreatening, giving way to my own very human instinct of feeling unsettled by the sounds that I am surrounding myself with, and ultimately wondering if I can even bare to carry on listening, as the whirlpool of emotions dredged up across the space of a few minutes cause such a drastic reaction to the audio atmospherics.
and even putting aside the music, for now, let's focus on the jarring, creepy vocal jaunts that are strewn across the sparse thirty six minute running time, turning simple statements, sentences and facts into mantras that echo like a horror movie, an unemotional delivery that means nothing, yet left to our imagination, could mean anything.
there is power in the art on display here, exemplified in the fact that the release is presented as a number of rooms, rather than tracks bearing pretentious titles, and in fact, the ever more pretentious framing device, and the collaborative efforts of 6&8 (spoken word fleshed out with ambient electronica from the UK) combining with Day Before Us (French semi-classical dark cinematic ambience) reeks of high brow pretentiousness and enthusiastic chin stroking, and if that is the reaction you elicit from this kind of art, then so be it... because art is made to produce reactions, differing from person to person.
and art is made to be experienced, throwing my wayward attempt at a review into disarray, even I myself throughout the course of writing this have pondered how so much of what I have written could be perceived as negative, yet here is a collection that I have enjoyed.
is available via Auditory Field Theory